Category Archive: MUSIC
The Ring Without Words
(Der Ring ohne worte) (Richard Wagner Society SA @ the Grainger Studio, ASO, 10 July 2022) And we thought trying to present Every Musical Ever in an 80 minute show was audacious: in 1987, conductor/composer Lorin Maazel, one of the few Ukrainians we’ve heard of, created a “symphonic synthesis” with the Berlin Philharmonic of Wagner’s Ring Cycle (the tetralogy taking about 16 hours in full), reduced to a 77 minute recording. The Adelaide Symphony Orchestra’s Conductor Laureate Nicholas Braithwaite, a great friend of the RW Society, gave a very informative and entertaining talk (with musical and visual demonstrations) deconstructing how…
Continue Reading →Sam Cooke – The Music
(Adelaide Cabaret Festival, 24 June 2022) Before his bizarre death on 11 December 1964, at the somehow apposite age of 33, and his subsequent apotheosis, Sam Cooke was already a key figure in modern music. He took elements of R & B, Gospel and Pop, and created Soul, which emphasizes vocals and venerates both God and the Ladies. In his short life, he made 29 singles that made the top 40. Gary Pinto (pictured, photo by Simon Upton) is a leading performer of R & B and Soul music. The Sam Cooke Tribute he has developed in recent years comes at…
Continue Reading →Otto & Astrid
(Adelaide Cabaret Festival, 23 June 2022) Come out, come out! In Adelaide’s cold, clear, calm, beautiful winter! And see this Festival before the tents are pitched. At the fabulous Spiegeltent on Festival Plaza (below), a large and appreciative crowd gathered to see and hear Otto & Astrid, the famous ‘dysfunctional, squabbling, co-dependent pair who are Berlin’s prince and princess of art rock and Europop, a lipstick-smeared, tantrum-loving, sonic collision between B-52s, The Pixies, Kraftwerk and early Ramones.’ Remember! What’s good or easy In your freezing sit? Come hear the music play, Life is a cabaret, you folks, Come to the…
Continue Reading →Every Musical Ever
'HOW MANY musicals?'
(Adelaide Cabaret Festival, 18 June 2022) Two Disclaimers: (1) The Varnished Culture is not really that much into musicals (bad music, good acting), preferring opera (bad acting, good music). We couldn’t fit a musical in our list of the 20 finest films. However it is a great genre we suppose, and we have previously commented on some of the outstanding examples: Singin’ in the Rain, Cabaret, The Umbrellas of Cherbourg. We have also expressed our disdain for the more toxic entries, such as Cats and The Sound of Music. (2) Musical theatre is exempt from consumer law, so no producer…
Continue Reading →The Shanghai Mimi Band
(Adelaide Cabaret Festival, 17 June, 2022) Shanghai in the 1920s and 1930s was “The Paris of the East, the New York of the West,” at least in popular myth, and in old Hollywood films: where elegance rubbed shoulders with depravity but always in a well-dressed way: glittering gowns, elegant cheongsams, dinner suits and white mess jackets, accompanied by a range of recreational poisons. And the night clubs along the Bund (the Shanghai waterfront) provided the venue, salted with the haute and the louche, and sugared by the Chinese chanteuses and hot bands playing French torch songs and shidaiqu (時代曲), a…
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