The Last Supper

May 28, 2016 | Posted by Peter Jakobsen | ART, CRIME, RELIGION, Ulalume | 0 Comments |

"the hand of him that betrayeth me is with me on the table.'

Milan, 1999, 28 MAY

Leonardo’s The Last Supper was restored this day to public view after 22 years of restoration, roughly 501 years after the great artist completed it.

You can clamber over the crowds and see this acme of Renaissance fusion (christian myth and enlightenment art) at Santa Maria delle Grazie, in Milan, a scene recounted in the books Matthew and John, where Jesus, looking serene after a tasty lunch, gives all the apostles indigestion with his infamous accusation.

Leonardo (15 April 1452 – 2 May 1519) was not only a polymorphous genius, he was also reputedly quite crafty.  All the same, whilst he would have imagined (and appreciated) the idea of a number of the devout, and the heathen, gathering in the Church’s refectory and gazing at his work, he might not have foreseen the image we present below, wherein a couple of sham apostles blithely violate the rule against trash souveniring, with a flash photo that undermines the delicate restorative effort.

[For the purposes of orientation, the figures are (from left to right, with reference to faces, not figures):

Bartholomew; James; Andrew; Judas (leaning back, clutching his bag of…silver?); Peter (leaning forward tetchily); John; Dmitry; Jesus; Silvio; Thomas; James the Greater; Philip; Matthew; Thaddeus; Simon.]








The artist as an old man, or as Aristotle (his equivalent genius)

The artist as an old man, or as Aristotle (his equivalent genius)


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