Yvonne Kenny
(15/12/2005, Melbourne) These one act operas, by Rossini and Poulenc respectively, were staged as “Love in Two Acts” by OA at the Arts Theatre, both conducted by Stephen Mould. Rossini’s short opera buffa is, as usual, very kind on the ear, eye and understanding, as assumed identities, a pompous guardian and true-love-triumphant make for a nice pas de huit. Emma Matthews and Kanen Breen as the lovers, led a fine cast, directed by Stuart Maunder. Poulenc’s piece, on the other hand, is like a cross between Sorry, Wrong Number and and a Lifeline transcript, as Elle, on her disheveled bed,…
Continue Reading →Palais Garnier (2 November 2004) A beautiful production of this sad tale of adultery and recrimination, with the set a series of flats that would be at home in The Bill, including an appropriately atrocious print of bison at a waterhole (just to rub in Kabanicha’s horrendousness) and leaf-swept patio – incongruous in the gilded truffle of this particular opera house. Angela Denoke and Jane Henschel, as Kata and mum-in-law respectively, take on the white and black hatted key roles magnificently. Peter Burian conducted.
Continue Reading →Sydney Opera House (photo by Diliff)
Every artist has occasion to groan about critics. Often it can amount to, in Verdi’s phrase, ‘stupid criticism, even stupider praise’, or argumentum ad hominem. As Peter Craven observed in last weekend’s The Australian, much online content falls into these categories but in the current context, the artistic director of Opera Australia has taken the bait and been hooked like a bullfrog. Diana Simmonds reports on her site Stage Noise that she was informed: “In response to some of your recent writing about the company, Lyndon [Terracini] asked that you be removed from the media list.” So what was Simmonds’…
Continue Reading →(Opera Australia, Melbourne, December 2009) (DVD, San Francisco Opera, 1981) You can’t miss with this one, although it does play a little like a Pharaoh’s Royal Command Performance; numerous parades, for example. This production touched all the staging bases, which it must, and then some, which you’d expect from Graeme Murphy. Well performed by all, particularly Warwick Fyfe as Amonasro. Jennifer Wilson looked the part more than Margaret Price (who, while singing well, played Aida like a worried little thing in a cafe from ‘Neighbours’ in the 1981 San Francisco filmed production) and the gentleman playing Radames managed to avoid…
Continue Reading →Image courtesy of Eddie
Christmas 2014 – and what have you done? Gluttony, jealousy, wrath…getting drunk and falling down…presents, presents, presents. P is listening to (& loving) his new vinyl (!) record, ‘Lost on the River: the new basement tapes’, featuring various artists adding melody and shape to some lyrics of Bob Dylan stuck in a drawer since 1967. Best so far: ‘Down on the Bottom’, ‘Kansas City’, ‘Liberty Street’, ‘Florida Key’ and the title track (# 12). Maybe a review in the fullness of time (at least 20 more listens first). Abject lesson to all: don’t throw away your turntable! Never discard your…
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