O.J. Simpson I was in Fort Lauderdale, Florida, on 3 October 1995, the day O.J. was acquitted (because no gloves fitted). The predominantly black staff at my hotel celebrated the verdict, high-fiving each other. On the other side of the country, Los Angeles gave both a huge sigh of relief and a squawk of anger and disbelief. Absurdly, the trial had taken on racial connotations because it seems that then, as now, it is impossible to view many awful events through anything other than the prism of race (or gender, although ‘Race beats gender’). And celebrity beats everything. The best…
Continue Reading →“Uncomfortable Conversations”, Norwood Town Hall, 21 March 2024 Douglas Murray, well-known pundit and author (The Madness of Crowds, The War on the West, The Strange Death of Europe), appeared in conversation with Josh Szeps in a wide-ranging exchange of sometimes provocative, and always entertaining, common sense ideas and propositions (Hallelujah! – Ed.). TVC ground staff (in our main image flanking Mr. Murray) attending the talk in Adelaide, were disappointed to confirm that Adelaide maintains its reputation for the polite allowance of discourse. No aggro here, alas – we’d been hoping for the kind of protest and cancelling tactics attempted in…
Continue Reading →(1760-1900) Exhibition at the Roche Museum, 22 February, 2024 / Book and collection by Annette Gero This exhibition of applique and geometric masterpieces, all made from military fabrics, was simply stunning. Dr. Annette Gero, an acknowledged expert on quilt history, has collected these sumptuous pieces, featuring complex, intricate patterns, to mythical and historical narratives. Her book based on this collection is published by The Beagle Press and available through the David Roche Foundation House Museum, Adelaide. We saw a dazzling array of styles and subject-matter. The main image is an English Intarsia Quilt, c. 1870, by Michael Zumpf, a Hungarian,…
Continue Reading →(Die Dreigroschenoper) Her Majesty’s Theatre, Adelaide, 10 March 2024 It might not be opera, more cabaret Singspiel, but it was still pretty good. Brecht’s rosy worldview, his ‘Berlinized’ take on John Gay’s balladic Beggar’s Opera, was presented with great élan and sophistication under the direction of TVC’s bête noire, Barrie Kosky, with a subtly simple staging of moving Jungle-Jims, up and over which the cast nimbly climbed and clambered, and a cabaret-style spangly curtain through which heads, and sometimes feet, would peep. Brecht’s libretto is extremely witty but it isn’t really a Marxist social satire, rather a nihilistic view of…
Continue Reading →(Director Andrew Haigh) Adam (Bill Paxton look-alike Andrew Scott) is a desolate would-be writer, living alone. After a fire alarm in his London tower block he meets Harry (Paul Mescal) who is, strangely, the only other inhabitant of the building. Harry wants to party the night away, but Adam sends him home. Soon after this, for reasons which are not clear, Adam goes to a park near his childhood home (set in the house in which director Haigh was raised) and meets his father, apparently by chance. Adam starts to spend time with his parents whom he hasn’t seen since…
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